Answering Questions on Digital Media Essay Example | Topics and Well Written Essays - 750 words

Answering Questions on Digital Media - Essay Example Employing Graphic Design in VJum Amel design in the creation of R-Shief Labs makes it more appealing and conducive for the event at hand. This makes the poster give a different feeling of the overall event hence pull attendance in large numbers. VJ Um Amel is a media designer, is undertaking her PHD studies, and the maker of R-Shief Labs. Her performances and compositions consist of visual performance that is live, Media Graphics Planning and Designing, database Illustrator artist, and analyzing of network. She considers that a successful art panorama and digital knowledge are solutions to the 21st century autonomous performances. The volume of Ingenious Mechanical Devices by Ibn al-Razzaz al-Jazari was done in the year 1206. It was debatably the most inclusive and meticulous anthology of the most modern acquaintance concerning automated apparatus and technicalities. The work methodically tabled out the technological advancements of a diversity of devices and machineries that both ty pified and extended obtainable acquaintance on robotics and automation (Al-Jazari, 6). Donald Hill, who decoded and had completed mainly to propagate the significance of the above-mentioned text, asserted, it is unfeasible to exaggerate the significance of Al-Jazari's vocation in the account of engineering. Until contemporary periods, there is the absence of another manuscript from whichever cultural and intellectual area that offers an equivalent prosperity of directives for the design and proposal, construction and assemblage of equipments. Al-Jazari at his times did not merely incorporate the methods of his Arab and non-Arab forerunners, but was also imaginative. This paper depicts al-Jazari's perspectives of work as a noteworthy input to the account of robotics and computerization as it facilitates a significant re-evaluation of typical concepts and the conservative history of computerization and consequently of robotics (Hill, 67). Al-Jazari's vocation of art is depicted as com mendable of what is termed as Islamic automation, where the concepts of power that have educated the conservative history of computerization and robotics are replaced by submission and compliance to the pace of the devices. In relation of Al-Jazari convictions of Islamic Automation to VJ Um Amel‘s project R-Shief, both employ the aspect of computerization, highlighted and encouraged the methodical progress of science and expertise in technology. They both employ the aspect of Islamic programming in their viewpoint of composition. Therefore, the connotation of anything in account or history is not permanent and monotonous, as it is opportunely understood in conservative historical techniques. The straight historiographical performance typically searches the origin, in which there is, Foucault asserts, an effort to confine the precise real meaning of things, their crudest potentials and their cautiously cosseted identities since this search supposes the subsistence of motionless forms that precede the peripheral world of misfortune and progression. Hill asserts that one major distinctive characteristic of the Islamic nations was an invariable striving after organization in order to put up machinery that would do without human intrusion for elongated periods. He affirms, numerous kinds of management, a number of which are deliberated of as fairly modern, were engaged to attain these outcomes: